Oct 29, 2014

A Ghost Story


This is part of Locust Grove Cemetery near St. Francisville, Louisiana. In college I wrote a small ghost story based on an experience I had there as a young girl of fifteen. I looked for it this week, but have not found it, but one of these days, the story is bound to turn up. I never throw anything away. I wanted to end October talking about how we should all write to truth. That is not easy to define, and in November as I write my words for NaNoWriMo, I will attempt to explain why writing to truth is so important.

When I was a young girl, we often visited St. Francisville, Louisiana, which was like my second home. It is a place I have the fondest memories of and also some of the most sentimental. I am lucky to have seen St. Francisville during the 1960s and 1970s, when it was still a small town and had not really been touched by tourism and capitalism. For example, my mother was a friend of the owner of The Myrtles at that time, long before it was a tourist attraction and one of the most haunted houses in the USA. Then, it was just an old house with a tragic history, no electricity on the second floor, and used mostly for storage. I used to play in it when Mother went for her visits. I used a flashlight. I never saw a ghost, but my sister said she did and she was only a toddler at that time. Who knows?

I grew up on ghost stories. Mother told the most wonderful ghost stories and I believed every single word she said (at the time). I suppose places can be haunted, by history, by sad events, by the longing of people to escape into the past or to just ignore time. Maybe ghosts are like fingerprints? They linger on and on, a lasting image of some event no one can forget.

If I had to choose a place haunted in St. Francisville though, I would choose Locust Grove Cemetery, which is north of town on a what used to be a narrow winding road. It was the family cemetery of the Smith family who once had a plantation there. The house is long gone, gone before I was even born. In this cemetery is buried Sarah Knox Taylor, the daughter of President Zachary Taylor and the first bride of Jefferson Davis, who went on to be the one and only President of the Confederacy of America. Davis and Taylor eloped without the approval of the bride's family and on their honeymoon, she contacted malaria and died and that is how she came to be buried in this lonely little cemetery.  Mother loved this story and we went there many times over the years, walking around, talking, recounting the tragic tale of how poor Sarah sang a song while dying and how poor Jeff Davis became a recluse for ten years following her death. All that is true. And very sad and makes for great drama.

But the facts are not always known, and I have come to suspect that this story is much more tragic than history recounts.  

One afternoon, it was already late, (when I was that girl of fifteen) Mother, my younger sister, who was about ten years of age, and I went out to Locust Grove. (It wasn't as  neat and polished as it is now, no white picket fence, no signs, etc). Against the back of the cemetery is a sharp slope where other graves can be found, what everyone calls outsiders! The picture above is one such grave. (But there were many others at that time. Most of them have sunk into the ground today.) Mother was determined to walk as far down the slope as possible and we two girls tagged alone. I kept thinking that it was getting dark and I worried over snakes, but I don't think Mother ever thought of such things. She was always eager to do what she wanted to do and if she wanted to see a certain grave, well she did.

I think I became very anxious. I had already noted the consequences of being stuck out at Locust Grove in the dark, in the middle of what was really a nasty sort of woods. I won't recount now, the details of the grave we found and how it looked. Not now, because I want to confess that I abandoned my mother and sister and headed back up the hill toward the car. It was almost dark and I began hollering for them to follow me.

At the top of the hill, when I arrived, exhausted, bug-eaten, scratched up, and fearful, I saw a young woman standing near a tree. I never thought about her being a ghost. I just ran to the car, and turned the keys and began honking the horn. It was twilight and I was scared out of my wits! I didn't want to be stuck out there in the dark, especially with other people coming into the cemetery which is exactly what I thought in the car. I was always scared of strangers in isolated places. Finally Mother and my sister showed up, got in the car and I drove us out of that place.

Later that summer, while visiting a historic home in Woodville, MS. I saw a collection of small paintings, most the size of cameos. I love art and I looked at them a long time with the kind of earnest devotion I still give to such things. One of the paintings reminded me of the young woman I saw in Locust Grove. When I asked if anyone knew who the woman in the painting was, they said, Sarah Knox Taylor Davis, and from that moment on, I was haunted by the thought of her and her history. I even thought, at the time, that I had seen a ghost. Maybe this is how ghost stories begin? Maybe this is how we create them? In wonder and fear and that earnest devotion to story and art and love.

And even now, decades later, old and wise as I have become, when I  think of Locust Grove, I still see that young woman standing by the tree, and I remember with detail, the lonely sad cemetery and all the souls that rest there. 

So I guess you could say, I am haunted and I've seen a ghost. Happy Halloween!

Edited to add link.
Check out this link for Sarah's story.
http://www.la-cemeteries.com/Notables/Others/Davis,SarahKnox/Davis,SarahKnox.shtml

Oct 19, 2014

My first collection of Poe's work



As you can see, I checked this out of the school library, and I don't believe I ever returned it. Of course, I had to buy it before I received my final report card. This volume has been read countless times over the years and because it was printed during the 1950s, it's still a beautiful, highly readable book. The paper is as clear as the day I first read it. 

I love this quote in the Introduction by T. O. Mabbot.

Properly read, Poe achieves magic in a way rarely attained even by Coleridge, to whom indeed Poe owes something, though perhaps less than to Thomas Chatterton. Within his own range, it is hard to imagine a more individual mastery than Poe's.



Oct 17, 2014

Poe would have approved of Haint Blue


Haint blue painted on a house keeps the evil spirits away. Next year, I am personally painting the ceiling of my porch Haint Blue to keep away all the ghosts that haunt me! I am so haunted....

Oct 14, 2014

Edgar Allan Poe by Vincent Buranelli



Edgar Allan Poe by Vincent Buranelli, a book I used in high school when working on a paper on Poe. Naturally I kept it all these years. It's not a biography but a collections of essays that make up a fair literary criticism. Very good, too. 

Oct 13, 2014

Poe Riverside edition 1897



My oldest edition of Poe's work, which includes 8 poems and 4 tales, including The Fall of the House of Usher. At some time, I'll type in the introduction to compare how Poe was viewed in 1897 to present day.

Oct 10, 2014

The Fall of the House of Usher (Film)


As a child, this was one of my favorite movies. I suppose the movies were my first real introductions to Poe. I began to read his work at age 11, with Annabel Lee which was his last completed poem. I recited the poem, by heart, to my sixth grade class. More on the poem later.

Oct 8, 2014

Hawthorne's grave (Just because I had to!)



Although I love Poe, I wrote my college paper on Hawthorne, author of The Scarlet Letter, The House of Seven Gables, and of course, the gorgeous Rappaccini's Daughter (not to mention dozens and dozens of other wonderful tales). I might be southern, but I am totally "Hawthorne" at heart. No other American writer has influenced me as much as Hawthorne. My novels and short stories are filled with literary allusions to his life and work.

Oct 6, 2014

Fordham Cottage of Edgar Allan Poe, 1884

Information listed on photo on Flickr: The village of Fordham is now part of the Bronx, New York City. The photographer was Charles Stoughton, that's his brother Arthur in the picture. The Stoughton brothers were among those who were instrumental in preserving Poe Cottage, and established the architectural firm Stoughton & Stoughton. They designed the Soldiers and Sailors Monument in Riverside Park. -- JE Piper