A Reverie

A Reverie, 1868, John Everett Millais.

On Francesca Woodman

She had few boundaries and made art out of nothing: empty rooms with peeling wallpaper and just her figure. No elaborate stage set-up or lights … Her process struck me more the way a painter works, making do with what’s right in front of her, rather than photographers like myself who need time to plan out what they’re going to do.

                                                 Cindy Sherman