“In yourself right now is all the place you've got.” ― Flannery O'Connor
“Time changes everything except something within us which is always surprised by change.”
— Thomas Hardy
Tanith Lee cast such a wide influence on my art in the early days. Her work is really indescribable, and I kind of love that, though I would not call it weird fiction, ever. At first, it was her language and use of color that attracted me. I'd never read an author (past or even present now) that used color like Tanith Lee did. It was amazing. And I love color used in a book in uncanny and delightful ways to enhance imagery, and imagery was Tanith Lee's special gift. Oh, her imagery!
Next it was her themes, which often moved around girls, women, and sexuality. Around power dynamics. Around feminism. She wrote of despair, too. Despair so palpable one could almost reach out and touch it as a substance laying separately on the written page. It was all rather dark and beautiful at the same time. You know, like that statement you often hear or read: "beautiful is not always pretty."
In that way, it was pure literary Romanticism. It was never really postmodernism. It was never really fashionable. It never evoked current politics or gave clear lessons.
Even after writing some 90 novels and who knows how many shorter pieces, she fell out of fashion several (if not more) years before she died in 2015 at the age of sixty-eight. I think many people found her idiosyncratic in ways that are exasperating, almost annoying. She was her own person, she possessed great agency, and she was a little eccentric. All these qualities went into her work, which was just wonderous.
WONDEROUS.
I don't think she ever really wrote for the crowd first, it was always for herself, though that could be debatable. Laughing. She was an original and I really do lament that there will be no new words from her.
I always think of Tanith Lee on her birthday. And yes, on the day she died.
She said in an interview: "I must admit, I never thought, after all the years of working as a professional writer in and out of the genres, I would end up at sixty-one, back where I was at twenty: unknown, unpaid, unincluded, uncertain."
I'll never forget that interview either, those singular last words, and I live by them.
"The cure for melancholia involves a continual discovery and rediscovery of the possibilities of life."
— Harold Bloom
— Herman Melville
This is a reading project put together by my sister for us to do this month. Reading aloud. Although I am reading Faulkner aloud, too. Laughing.
(Note: This is my last post until the end of September.)
“For without some sense of the past the future can be only loneliness: amnesia is a solitary affliction.”
― John Lewis Gaddis
I have been thinking about this quote off and on for a week. Postmodernists do not believe this. They do not believe we can ever really do history. And for years I felt some kinship with them. It is not age that has changed me, it is history itself, the history that I have lived through, seen, heard, read about, witnessed, and then some, and how it is now written or interpreted. Yes, I, me, the Leftist person in the room. It is a bold thought to write this, not only this quote from Gaddis, but from me, to come to a quaint understanding. How do historians map the past? And why? Can we ever really know anything about the past? Gaddis is not a man I would have looked to, for answers years previously. He is not one of them at all. The fact that I have read him now and that he totally challenges me is also frightening. I have much to think about and I only know one thing. We should teach more history. We should look to history. Faulkner was right. The past is always present. omg....